The reported thoracic injuries in Homer's Iliad. (17/24)

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Illustrations from the Wellcome Library William Winstanley's pestilential poesies in "The Christians refuge: or heavenly antidotes against the plague in this time of generall contagion to which is added the charitable physician (1665)". (18/24)

During the Great Plague of London (1665), William Winstanley veered from his better known roles as arbiter of success and failure in his works of biography or as a comic author under the pseudonym Poor Robin, and instead engaged with his reading audience as a plague writer in the rare book The Christians Refuge: Or Heavenly Antidotes Against the Plague in this Time of Generall Contagion to Which is Added the Charitable Physician (1665). From its extensive paratexts, including a table of mortality statistics and woodcut of king death, to its temporal and providential interpretation of the disease between the covers of a single text, The Christians Refuge is a compendium of contemporary understanding of plague. This article addresses The Christians Refuge as an expression of London's print marketplace in a moment of transformation precipitated by the epidemic. The author considers the paratextual elements in The Christians Refuge that engage with the presiding norms in plague writing and publishing in 1665 and also explores how Winstanley's authorship is expressed in the work. Winstanley has long been seen as a biographer or as a humour writer; attributing The Christians Refuge extends and challenges previous perceptions of his work.  (+info)

Vygotsky in english: what still needs to be done. (19/24)

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Helmholtz and Goethe -- controversies at the birth of modern neuroscience. (20/24)

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Regulating the 1918-19 pandemic: flu, stoicism and the Northcliffe press. (21/24)

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Listening to Limericks: a pupillometry investigation of perceivers' expectancy. (22/24)

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Pierre Adolphe Piorry (1794-1879): pioneer of percussion and pleximetry. (23/24)

Piorry was born in Poitiers on 31 December 1794. As a medical student he served in the Napoleonic war in Spain. His teachers in medicine included Corvisart, Bayle, Broussais, and Magendie; he qualified in 1816 with an MD thesis: "On the danger of reading medical text books by the laity"! Laennec's invention of the stethoscope (1816) and De l' Auscultation Mediate (1819) inspired Piorry to make an analogous contribution to the technique of percussion (which had been originally described by Auenbrugger in his Inventum Novum in 1761 and translated from the Latin into French by Corvisart in 1808). This led to Piorry's invention in 1826 of the pleximeter (le plessimetre) to help outline the internal organs (l'organographisme), which he described inDe la Percussion Mediate (1828). Piorry became renowned as a professor of medicine in many of the great Parisian hospitals (Charite, Pitie, and Hotel Dieux). In 1832 he was appointed to L'Hospice de la Salpetriere, where he held a famous course of clinical lectures. He wrote prolificly on many aspects of medicine and published more than twenty books. He was, in addition, a poet of some distinction, and wrote a remarkable long poem Dieu, L'Ame et la Nature (1853). Piorry held his neologisms-for example, toxin, toxaemia, septicaemia, etc.-are still in use. This, together with the mixed reception that his advocacy of pleximetry received from his medical contemporaries, made him a controversial figure. He died on 29 May 1879.  (+info)

Robert Seymour Bridges OM: poet, physician and philosopher. (24/24)

There has not been an English poet more interested in prosody nor physician more taken to medicine for its human contact, nor philosopher who lived closer to the tenets of his belief, than Robert Bridges (1844-1930).  (+info)