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The movements influence is described in this important paper in Lancet entitled Postmodern Medicine. Author JA Muir Gray notes in the introduction that "Postmodernism is characterised by relativism, namely that there are no such things as objective facts….." Good news there for the alt med folks. It goes on to say "Postmodernism also challenges the objectivity that science has claimed is its defining characteristic as spurious and unsupportable, and although many different theories are encompassed by the term postmodernism, a suspicion of science lies at the core of such theories." Gray points out that postmodern medicine is driven in part by increasing regard for patient values and preferences, the rise of consumerism over paternalism and increasing concern for the unintended adverse consequences of science. These are beneficial trends to be sure, but in his defense of postmodernism Gray doesnt seem overly concerned about its disregard for science. Citing a striking parallel to my ...
Brief discussion of quotes, ideas and life of the famous German postmodern philosopher, Friedrich Nietzsche. Quotes on Language, Metaphor, Metaphysics, Truth, Postmodernism. Nietzsche Pictures, Biography, and quotations from Beyond Good and Evil, The Greeks. Explaining Nietzsches postmodern philosophy God is Dead with the Wave Structure of Matter. (Nietzche)
In my view, the essential difference between the modern and the postmodern is that modernity is the purported cultural progress in architecture, painting, music, mass media, and philosophy, resulting from the Scientific Revolution, while postmodernity is the cultural disarray resulting from the depletion of the fuel needed for that progress. The fuel in question is faith in what postmodernists call the modern "master metanarrative" or myth, which I call Scientism. This myth presumes that society in general can progress just as well as can institutional science, that just as scientists discover how nature operates according to laws, we can discover the rules of how we ought to behave and were able to follow those rules and so progress towards a perfect union. In either case, the abilities needed for that progress are, first of all, Reason as opposed to tradition, authority, intuition, faith, or revelation, but also the scientistic virtues (or vices, depending on your viewpoint) that motivate the ...
The rise of virtual reality promises to radically alter our current methods of presentation. An analysis of our postmodern existence can help see where it
On Sunday, 18 April 1993, at 10:30 a.m., we met with Toni Dove and Michael Mackenzie in a local Banff eatery, gussied up like a tony 50s diner, with the unpronouncable name Joe Btfsplks. The matchbox that we palmed as a memento of the occasion told us to say biºtifºspliks-an ironic reminder of the virtual vowels hidden away in the clustered consonants and a marker for the kinds of topics we were about to engage in with our interviewees. Toni Dove is a multi-media artist whose work has been collected by the Boston Museum of Fine Arts, the Museum of Modern Art, the Fogg Museum, and the Victoria and Albert Museum, to name only a few. Her recent pieces include Fugitive Concepts, The Blessed Abyss-A Tale of Unmanageable Ecstasies, Mesmer-Secrets of the Human Frame and, most recently, her collaborative work-in-progress entitled The City and Memory, a piece that makes extensive use of VR and other digital technologies in the context of a number of cyberpunk motifs.. Her partner in the venture is ...
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This week I thought I would raise the rather contentious issue of the reductio ad absurdum argument (also known as argumentum ad absurdum). This is the ancient form of logical argument that seeks to demonstrate that an argument or idea is nonsense by showing that a false, ludicrous, absurd result follows from its acceptance, or alternatively that an argument is sound as a false, untenable, or absurd result follows from its denial.. The nature of this argument has venerable roots and it is well documented as a form of logic in ancient Greece, used by such luminaries as Xenophranes, Socrates, and Plato . However, in modern academia there seem to be rather polarized views on it. 1) that it trivializes an argument and belittles the person taking a particular position or 2) that is is a valid and reasonable way of demonstrating that an idea is unsound. There also seems to be a cultural aspect in that I have found it used more frequently in Europe, whereas in North America it is somewhat frowned upon ...
Scot McKnight is a widely-recognized authority on the New Testament, early Christianity, and the historical Jesus. He is the Karl A. Olsson Professor in Religious Studies at North Park University (Chicago, Illinois). A popular and witty speaker, Dr. McKnight has given interviews on radios across the nation, has appeared on television, and is regularly asked to speak in local churches and educational events throughout the USA and in Denmark and South Africa. Dr. McKnight obtained his Ph.D. at the University of Nottingham (1986).. Scot McKnight is a member of the Society of Biblical Literature and the Society for New Testament Studies. He is the author of more than thirty books, including the award-winning The Jesus Creed: Loving God, Loving Others (Paraclete, 2004), which won the Christianity Today book of the year for Christian Living. Recent books include Embracing Grace: A Gospel for All of Us (Paraclete, 2005), The Story of the Christ (Baker, 2006), Praying with the Church (Paraclete, 2006), ...
The Pinch is an impressive southern-based print journal (University of Memphis) that includes contributors from around the country. The glossy stylized cover entices the reader to a lavish buffet of fiction, creative nonfiction and poetry, as well as artwork and two interviews.. The 2009 Pinch Literary Awards were sponsored by the Hohenberg Foundation, and judged by Brian Evenson for Fiction and Robin Becker for poetry. The aesthetic, at least for this issue, is heavily postmodern. As the editors note states, The Pinch is committed "to publishing diverse voices that speak from the periphery as well as the center of contemporary written and artistic expression.". "The Remaining 2%" by Dan Piepenbring won first place in fiction. As a pie chart at the opening of the story illustrates, 2% refers to Americans not repulsed by cannibalism. This postmodern piece blends literary fiction and true crime in a humorous and disturbing way. Piepenbring seems to be channeling T.C. Boyles "The Hit Man" in his ...
Page 1 of 6 - Biological Theory: Postmodern Evolution? - posted in Best all time threads.: Biological theory: Postmodern evolution?Science Against EvolutionPigliucci and Kirschner think that the capacity of small genetic changes to trigger large shifts results in waves of innovation separated by seeming lulls in which evolution stablizes [sic] and integrates the new arrangements. This matches some aspects of the fossil record, where bursts of innovation and diversification are interspersed...
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How can contemporary social theories be used to describe our dimensions of human existence? Bauman talks in this interview about the blurred distinctions between postmodernism, late modernity and reflexive modernity and how they apply to current processes of globalisation.
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This last feature has led me to call this ethics (as well as the aesthetic devices closely allied with it) performatist. Also, it has one major structural feature that results directly from its specific way of re-empowering agency and the subject. Performatist ethics is, necessarily, an ethics of perpetration, an ethics concerned with the way that discrete, separated subjects act upon others in order to overcome their separation while maintaining their selfness and developing further as ethical beings.. Before I begin, some clarifying words are in order regarding separation, a term that is also central to Levinass thinking. As Leora Batnicky has rightly observed, Levinass notion of a separated, closed, and atheistic subject is at odds with the relational, open subject of postmodernism.(3) Levinass separated subject is not determined, as it might first seem, by a direct confrontation with the Other,(4)but is first set off by a "natural" atheism (defined as a desire to be "outside of God" and ...
In earlier centuries, "Nature" set the parameters, as Philip Round states, "of conversations about everything from church doctrine to village order." Often discussions of gender, character, authorship, and even civil discourse turned to questions of "customary precedent and natural law." By the twentieth century "nature" was used to delineate the new literary study of "nature writing," while also used in broader terms to question the changing nature of our society with the onset of the digital age, postmodernism, new views of gender and race construction, and even changes within academia. What is the "nature" of the academia today? How has the "nature" of publishing and authorship changed with the digital age? How has the "nature" of our profession changed? In what ways does "nature" define us? Or do we define "nature?". For our 2013 meeting, CEA invites papers and panels that explore the literary, the pedagogical, and the professional "nature" of our field.. General Call for ...
This is the most wide-ranging and up-to-date dictionary of critical theory available, covering the whole range of critical theory, including the Frankfurt school, cultural materialism, gender studies, literary theory, hermeneutics, historical materialism, and sociopolitical critical theory. Entries clearly explain even the most complex of theoretical discourses, such as Marxism, psychoanalysis, structuralism, deconstruction, and postmodernism. There are also biographies of important figures in the field, with feature entries for those who have heavily influenced areas of the discipline.. Covering all aspects of the subject from globalization and race studies, to queer theory and feminism, this multidisciplinary A-Z is essential for students of literary and cultural studies and is useful for anyone studying a humanity subject requiring a knowledge of theory.. ...
This brief textbook provides a broad critical introduction to social theory in terms of its engagement with modernity and to a lesser extent, with post-modernity. It focuses on the major trends in social thinking, more than on the key figures approach. The text covers the emergence of modern society and the diagnoses of social change and social order through Marx, Durkheim and Weber. It moves its analysis to the emergence of feminist theory. The book is also sensitized to the extent to which euro-centric views were embedded in earlier social theories. The book explores structural functionalism, critical theory, symbolic interactionism as theories which have developed in more modern times. The book ends by exploring the impact of post-structuralism and postmodernism on social theory. The book triggers questions, suggestions for follow up and at the end of every chapter there is a list of assessments for students to evaluate the merits and shortcomings of social theory. (Imprint: Novinka ...
This is a very useful book on constructing grounded theory for both untrained and more experienced researchers, which we warmly welcome and recommend to colleagues and students on different university levels. The different steps of grounded theory, from data collection to analysis of qualitative data, are clearly described and discussed in the book. We, i.e. the authors of this review paper, have all used the grounded theory method in our recent doctoral theses in medicine, psychology, public health, and odontology, respectively. We were grateful for the possibility to read and learn from this excellent new book, which fills a gap in the existing arsenal of qualitative method books. Constructivist grounded theory has emerged as a promising approach between positivism and postmodernism with an assumption that multiple realities exist rather than "one and only real reality". Our aim is also to give the readers of the International journal of qualitative studies on health and well-being - QHW a ...
Ph.D., Penn State University Curriculum Vitae. Dr. May took his Ph.D. from Penn State University in 1989, and has been at Clemson (after a brief stint at Indiana University of Pennsylvania) since 1991. He specializes in Continental philosophy, especially recent French philosophy. He has authored thirteen philosophical books, focusing on the philosophical work of Michel Foucault, Gilles Deleuze and Jacques Rancière. His book The Political Philosophy of Poststructuralist Anarchism has been influential in recent progressive political thought, and his work on Rancière is among the first in English. Mays writings also seek to bridge the gap between "Anglo-American" and "Continental" styles of philosophy that developed in the early twentieth century. His teaching interests are varied; he has found himself teaching classes as diverse as Anarchism, The Thought of Merleau-Ponty, Resistance and Alterity in Contemporary Culture, Secular Ethics in a Materialist Age, and Postmodernism and Art. ...
This course will focus on 21st-century Italian literature and cinema. By examining Italys specific case, we will address broader comparative issues, such as: 1) How can we define the latest developments of European culture, after the end of postmodernism? 2) What are the most significant trends in contemporary literature and cinema, and what do they tell about the way we perceive and represent reality ...
In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure. Ranging from 17th century colonial art through contemporary postmodernism, entries offer concise, informative summaries incorporating up-to-date scholarly research and critical appraisal.
In The Aesthetics of Decay, Dylan Trigg confronts the remnants from the fallout of post-industrialism and postmodernism. Through a considered analysis of memory, place, and nostalgia, Trigg argues that the decline of reason enables a critique of progress to emerge. In this ambitious work, Trigg aims to reassess the direction of progress by situating it in a spatial context. In doing so, he applies his critique of rationality to modern ruins. The derelict factory, abandoned asylum, and urban alleyway all become allies in Triggs attack on a fixed image of temporality and progress. The Aesthetics of Decay offers a model of post-rational aesthetics in which spatial order is challenged by an affirmative ethics of ruin ...
I have always enjoyed JCN. The summer 2004 edition was no exception and evoked a reaction that made me look again at what I believe and how it relates to my career. However, I think that Dr. OMathúna sells nursing short. Nursing is growing as a discipline that embraces both the art and the science of nursing.. OMathúna wrote, "The old questions sought facts, objectivity, reproducibility, logic and theory. New questions look inside, to feelings, to the individual and to the present." He further stated that nursing has relinquished its ties to empirical research and taken up the mantle of qualitative methods because it is trying to define itself as a profession independent of medicine and because postmodernism has baited them with alternative methods of research. I probably cant speak for all of nursing, but I do know that many nurses turned to qualitative methods such as narrative inquiry because empirical results do not show the total picture-not because they were trying to overthrow ...
As ancient myths attest, the question What is a story? was already complicated long before postmodernism. Nevertheless, there are a few general characteristics. Narrative traditionally concerns itself with historically coherent events, even if they are not told in strictly chronological order: there are causative reasons why one thing leads to another, and characters respond in ways we recognise. A story also tends to have an arc of tension: relatively low at the start and the end, higher at some point in between. It is, in the clichéd yet apt phrase, an emotional journey, and it is navigated with a sense of purpose.Making stories around geometrical shapes is one thing, but we do it with instrumental music, too. . . .. Music theorists recognise that the various major and minor chords of Western tonal music are related to one another. Some are closer and some are further away, in the simple sense that the respective scales share more or fewer notes in common. C major is close to G major, and ...
Laurel Consuelo Broughton was interviewed for Attention #3: Keywords Postmodernism, Princeton School of Architectures audio journal for Architecture. The catalog for Errors, Estrangement, Messes, and Fictions curated by Hadrian Predock at All Gallery/USC School of Architecture was released and includes the work of Laurel Consuelo Broughton/WELCOMEPROJECTS, First Office, and Andrew Kovacs.. Diane Ghirardo gave the keynote address entitled "Architecture and Education" at the annual EAAE meeting in Delft, Holland, on 1 September. Her most recent publications include "I gioielli sacri di Lucrezia Borgia," in the Spanish journal, Revista Borja. Revista de lIstitut Internacional dEstudis Borgians. Lawrence Scarpa served as a juror for the 2016 Wood Council Awards and the Home Matters Design Competition. He also juried the first ever Latin America Solar Decathlon in Cali, Columbia. He continues to serve on the selection committee for Enterprise Community Partners Rose Architectural Fellowship. He ...
18th Century intellectual history; 18th century philosophy; 19th and 20th century writing; Continental philosophy; Critical theory; Deconstruction; Georges Bataille; Jacques Derrida; Jean-Jacques Rousseau; Martin Heidegger; Maurice Blanchot; Mimesis; Modernism, postmodernism; Myth studies; Philippe Lacoue-Labarthe; Romanticism; Science fiction film; Theory of tragedy. ...
Your mission, if you choose to accept it, is to listen to these pillocks babble on about achieving cued release, ducktaurs, Worgies, Pat Sharp, hipster tastes, a tale to warm your bears heart, Fission?!? Damn near killed him, language limitations, Absiloved Lover, peaking at Postmodernism, Psychosavato, & ruining wronguns.. Thank you to our community contributors Rob Grey, Rikard, Doc Mantis Toboggan & John Kerans for their topics.. Cheers to lewisandquark.tumblr.com for your amazing neural networks that inspire our Pitch Pot.. Hosts this issue are Tom, Taz, Captain Sickbeard, Chris Howitzerbug & Christakis.. Why not submit your own topic at pottopicpodcast.com or email an AUDIO TOPIC to [email protected] PIMP BIT ...
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Professor values refer to the common value system embraced by a large percentage of professors, just as Hollywood values refers to the common value system of many in Hollywood and the entertainment industry. Professor values are currently one of the most prevalent forms of liberal indoctrination. Andrew Breitbart, the founder of the conservative news site Breitbart News Network, at one point intended to create a category "Big Education" in order to expose professor values, but he died before he could implement it. An extremely high percentage of professors disagree with conservative principles, but very few replace them with the discredited philosophy of postmodernism.[1] Professors common value system typically includes anti-Christian politics, censorship, socialism, unjustified claims of expertise and knowledge (for example, the dogmatic promotion of the theory of evolution[2]), liberal beliefs, liberal grading, liberal bias,[3] historical revisionism, anti-patriotism, anti-Americanism, lack ...
And how much of the worlds current folly could have been avoided if only a five-year-old who knew the story of The Emperors New Clothes had been consulted? It has been rightly observed that the craziest things of all are those things commonly believed by academics: global warming, Marxism, feminism, psychoanalysis, postmodernism, affirmative action, political correctness, speech codes, queer studies, Fascism in its day. Most are based on a simple logical fallacy that should be apparent to a casual observer within a few minutes. The Emperors story explains succinctly why this is entirely likely to be so. If it is possible for any intellectual phony or slacker to convincingly present something as "believed by all the best authorities," then, even if we personally suspect it makes no sense at all, most people who want to appear intelligent and well-educated will pretend to believe it as well, and assert it with that much more energy to avoid the suspicion that they do not really get the point. ...
Headline: Bitcoin & Blockchain Searches Exceed Trump! Blockchain Stocks Are Next!. "Islamic supremacists see that the West has no stomach for them". by Giulio Meotti. Geller Report. ***. It is the new French publishing phenomenon. The title of David Thomsons book, Les Revenants (Seuil) evokes the zombies, but these zombies do not come back from afterlife, but from Syria. They are the French "soldiers" of the Islamic State and the Jihadists "made in France.". Crazy? Disadvantaged? Stigmatized? Not at all. Many experts, from Olivier Roy to Gilles Kepel, have tried to answer these questions. Thomson is perhaps the only one to have succeeded.. The great strength of his book, in fact, is having approached the jihadists and made them speak. The most illuminating Islamic soldier is Zubair, who grew up in a socialist social housing project in Seine-Saint-Denis and who chose the holy war as a "response to the ideological vacuum and metaphysics of postmodernism." He speaks like an intellectual. Zubair ...
I am an unrepentant, unapologetic Fundamentalist.. Now, when I say that, I realize that we have to clarify terms; the word fundamentalist has become a pejorative in modern usage, somewhat due to the bellicose demeanor of those who self-identify with fundamentalism today, but more largely I believe due to the overall hostility of the world (and those within the church who are more world-friendly than is undoubtedly healthy) towards the very idea of Biblical fidelity.. I dont mean I that I am a fundamentalist in either of those two caricatured ways.. What I do mean is that I am a fundamentalist according to the original denotation of the word.. At the turn of the previous century, in response to the rising tide of Modernism in the church (Modernism is the father of Postmodernism, which in turn is really just Modernism with a new hairdo, spiffy spectacles, and a hep-cat-yo-dog-g-money way of presenting itself; see 1, 2, 3), a group of Biblically conservative scholars from a wide cross-section of ...
Confessions of Love: The Ambiguities of Greek Eros and Latin Caritas includes a collection of essays by internationally renowned scholars such as Phillip Cary, Roland Teske, and Leonid Rudnytzky, tackling some historic, controversial «confessions» of love. Inspired by the Augustinian tradition, this volume focuses on the ambiguous nature of love, especially with regard to some of the conflicting aspects of Greek eros and its ancient Latin rival, caritas, in great thinkers like Augustine, Thomas Aquinas, Marsilio Ficino, Freud, and Max Scheler. This volume will be of interest to humanities, philosophy, theology, history, and classics departments seeking a new way to approach the Western tradition through the historic controversy in the West over eros and caritas. Finally, its focus on the retrieval and disclosure of sensuality and eroticism in these great texts will also be of special interest to postmodernism and hermeneutics ...
After Modernism ran out of steam with the second World War, one strange offspring of Modernism got a lot of press for a time, an ultra-elitist movement that was baptized Post-Modernism (sometimes written as one word, postmodernism). This gave up on the Modernist attempt to capture the taste of life as lived and instead lived in the world of artworks-no longer was it offering the fragments of life, instead it developed the imposed structure. It solved the split of Modernism, in short, by voting for the structure half. But that meant it had nothing to say except to talk endlessly about itself and its own cleverness. Post-Modernism is ironic, fragmentary, self-referential, sophisticated, and intensely boring, because it ceases to breathe, have sex, or sweat. Its prim and self-satisfied, rather like the smug and feminized esthete played to perfection by the usually so masculine actor Daniel Day-Lewis in the Merchant/Ivory film of E.M. Forsters "A Room With a View": the earthy heroine, Lucy ...
From Postmodernism to Postsecularism: Re-emerging Islamic Civilization. Eric Walberg. Clarity Press, Atlanta, Georgia, U.S.A. 2013. In his introduction, Eric Walberg states, "The main purpose of this book is to help the reader... ...
He played the piano from the age of six. He studied piano and composition at the conservatory in Bratislava. He left the conservatory after three years to become a member of the group Prúdy, and contributed to the legendary album Zvoňte zvonky. He left Prúdy as suddenly as he had left conservatory only to establish the first Czechoslovak art rock band Collegium Musicum. The repertoire of Collegium Musicum, comprising mostly instrumental pieces, included reinterpretations of the themes of classics such as Joseph Haydn, Béla Bartók and Igor Stravinsky, complemented by original compositions. Already at this stage his work bore signs of postmodernism (Eufónia of the album Konvergencie), which later became the basic principle of his work. When Collegium Musicum disbanded in 1979, Varga started a solo career. Among other achievements, he became a pioneer of absolute improvisation (real-time composition) in Slovakia. In the meantime he continued to contribute to popular music. His ongoing ...
2010s can rightly be called the decade of nostalgia for the eighties. And nostalgia is not for discos, but for deeper signs of age - by culture, attitude, naivete, understanding, and a feeling of impending future, and another fear of that future.. Today, the future has already come and turned out to be quite different from what was imagined thirty years ago. On the one hand it is good, and on the other - sad. Machines still do not fly, the galaxy is not inhabited, and artificial intelligence is not so intelligent. Modern "new sincerity" turned out to be more synthetic than synthetic postmodernism of the late twentieth century: the world is ruled by Finance, terror, wars, cataclysms and politics. Continue reading →. ...
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Arresting. Stylistically, Knight slaloms through old-fashioned noir and snarky postmodernism, and from Barthelmean set pieces to a riff on Stonewall Jackson
From Art Nouveau to Postmodernism, Benetton to Frank Lloyd Wright, this fascinating dictionary covers the past 150 years of international design, with accessible and succinct entries on ceramics, furniture, graphics, industrial design, interiors, and fashion.Designers and manufacturers feature in a range of biographical entries, and the dictionarys international focus takes in major movements, key concepts, design terminology, and important design institutions, museums, and heritage sites.
Chronicles and contextualizes the authors contributions to the history of medicine. In this title, the author examines the politics of conceptual and methodological shifts in historiography. He examines the double bind of postmodernism and biological or neurological modelling that, together, threaten academic history.. ...
Because "evolutionary psychology" and "cognitive ability" are safe terms politically, these are the obvious choices for people who dont want to have water poured over their head at a conference -- and the data show this rational choice. Interest has continued to skyrocket, although people use different codewords. Nothing like this turned up in the first post because it is not political suicide to talk about postmodernism or Marxism in academia -- but just try bringing up "IQ". It is fascinating that academics can adhere to the ideas of Marx, Lenin, Trotsky, or Stalin and be taken seriously, while anyone who would do so for the ideas of Mussolini or Hitler would be made a total pariah. I wouldnt take either numbskull seriously, but most educated people will, perhaps grudgingly, give a free pass to those who revere the ideological or political figures associated with The Other Great Dictatorships and Mass Murders ...
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Dear Friends & Neighbors, (Please click on red links & note magenta) I came across this "Jordan Peterson debate on the gender pay gap, campus protests, and postmodernism" video with very insightful observations by ...
Art today still seeks recourse to the familiar politics of identity facilitated by postmodernism and certainly evidenced by the MCAs earlier exhibition Masquerade (23 March - 21 May 2006). But perhaps the politics stay the same while the art often loses its edge? I miss the days when art forcefully engaged with the intellectual and political, railing against ideological blind spots where necessary, and could still "make play" without being trivial and light. And if art shocked now and then, well its done its job. Having your art impounded by the police - which happened to Davila in 1982 for his Stupid as a Painter - is like winning a fucking Academy Award. "I did not include Stupid as a Painter in the current MCA show, but included it in the book. This is not meant to be a sensational show but one that addresses many other aspects of my work," Davila says to Joyce Morgan in a Sydney Morning Herald article (September 8, 2006). Understandable enough, but it would have been great for diehard fans ...